Billie Holiday - Greatest Hits (Sony)

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Editorial reviews

Amazon.com essential recording
Curiously, yet not surprisingly given the enormity of his sway, Billie Holiday's greatest vocal influence was "Pops"--Louis Armstrong, whose trumpet was his first signature (though he's often credited with being the first great jazz singer as well). One hears Armstrong in Holiday's sense of phrasing, timing, and the warmth she invests in a lyric. This package, containing such touchstone Holiday renderings as "I Cried for You," "Body and Soul," and "When a Woman Loves a Man" (poetic, given the fact that Billie was notoriously unlucky at love), also boasts her signature song, "God Bless the Child." Her accompanists are a hall-of-fame lot, including trumpeters Roy Eldridge and Buck Clayton; saxmen Lester Young (with whom she had a close relationship), Ben Webster, Johnny Hodges, and Harry Carney; drummers Cozy Cole and Jo Jones; bassists John Kirby and Walter Page; and her frequent pianist, Teddy Wilson. --Willard Jenkins

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Customer reviews

review by: date: 2007-09-15 rating:
Oh my!
There are only 13 cuts on this CD--but what a great set of cuts they are! Billie Holiday was a star-crossed talent. But her talent was real, and this CD provides concrete evidence of that. Some of her best works are included, although 13 cuts cannot possibly do justice to her complete oeuvre.

Let's take a look at a sampling of the songs.

"Miss Brown to You": Benny Goodman plays with the Todd Wilson Orchestra--a nice group to accompany Holliday. She displays a smooth, rich voice. The words are clear and easy to pick up. This is a short song, and it is well sung. It is evocative. Nice instrumental backing!

"Billie's Blues": This song is backed by her own orchestra, with Bunny Berrigan and Artie Shaw--not bad! Nice blues sensibility. Some nice lines, such as:
"But when he mistreats me
Makes me feel so blue."

"I Can't Get Started": This Gershwin song is wondrous. Holiday is backed by Count Basie. Her voice is lush and smooth. One line:
"Now I'm broken hearted
I can't get started with you."
This is a terrific wedding of Count Basie and Billie Holiday.

"Body and Soul": Nice orchestral backing. Her voice intertwines well with the instruments. She sings of her loneliness. Some key lines:

I spend my days in longing;
I'm wondering why it's me who's lonely. . . .
I'm all for you, body and soul."

She can't believe that her man is throwing romance away. An affecting song.

To conclude, this is a fine CD, even though it has a small number of tunes. A great introduction to Billie Holiday's work.

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review by: date: 2007-07-08 rating:
Biilie's phrasing was a heart-to-heart with the whole world--and no one ever wanted to go home
Billie Holiday could sing jazz and the blues unlike any other singer. Ever. Her voice was the ultimate instrument which could convey all the sorrows of her personal life as she sang about life, love and the pain of being discriminated against because she was African-American. We will never see another quite like Billie; this CD of thirteen of Billie's greatest hits from Sony doesn't even begin to scrape the surface of what this remarkably talented lady could do.

The CD track set begins with a number that's actually sassy as well as jazzy; Billie sings of how Emily Brown's "comin' to town;" but it's "Miss Brown to you." Listen for Benny Goodman on clarinet and Roy Eldridge on trumpet. Teddy Wilson does a great job on piano, too. Even though Billie was only 20 when this was recorded, she was already working with the best!

"What A Little Moonlight Can Do" gets a breakneck pace and a jazzy interpretation that would make any jazz artist green with envy. Billie's voice is light and clear as a bell; yet she imparts all the right emotions to her audience. Once again, Billie recorded this with The Teddy Wilson Orchestra. Teddy plays piano; Benny Goodman plays clarinet and Roy Eldridge plays trumpet. And ooh, how they jam!

"I Cried For You" gives Billie the chance to sing of how she cried for a man who left her--but she no longer cares for him and she won't waste one minute more worrying about that loser. The musicians work wonders before Billie even comes in; but when Billie comes in the number soars and Billie takes flight! Billie imparts the sense of all the pain in her past and how she's happy to have found a new man who loves her more. Teddy Wilson again plays piano; and listen for Harry Carney on both the clarinet and the baritone saxophone. Excellent!

"Billie's Blues" stuns you with its sublime treatment of the blues; Billie wrote this number and Artie Shaw himself plays clarinet! Billie sings about how her man treats her so poorly; and you believe every word she sings--she's THAT good at sharing her feelings from the depths of her soul.

"I Can't Get Started" is a number recorded live when Billie performed at The Meadowbrook Ballroom in Cedar Grove, New Jersey with Count Basie & His Orchestra. Despite the passage of time and the surface noise on this track, I distinctly feel everything Billie put into this song. Billie was unlucky in love and the pain of this problem helps her to deliver "I Can't Get Started" as if the lyrics were a intimate, personal and very private confession to you from the bottom of her heart. Wow.

"God Bless The Child" was one of Billie's most famous signature songs; and she delivers this with all her might. Billie sings so well because she truly means every word of the lyrics. This is not just another chanteuse singing a ballad; this is Billie Holiday once again sharing her most intimate feelings with her audience. Roy Eldridge plays trumpet and I predict you will enjoy this number very, very much.

"Gloomy Sunday" became associated with many a suicide; anyone deep in despair and hopelessness can identify with "Gloomy Sunday." Billie sings this so well because of the countless times she experienced these very emotions in her private life. "The Very Thought Of You" swings ever so slightly to infuse this ballad with just the right amount of energy and romantic effect. Billie's excellent diction, coupled with her light and clear voice, lets her perform "The Very Thought Of You" with twice the panache that any other singer could ever have infused into it.

The CD track set ends with the classic "Body And Soul." Billie sings of how she wants a man who doesn't love her in return. Billie sings from the bottom of her heart as she draws upon her personal pain from unrequited love. As always, Billie's delivery is flawless.

The liner notes include an informative essay by Timme Rosenkrantz; and the black and white pictures of Holiday are very tastefully arranged. The song credits and recording dates are there for you, too.

We will never again see another Billie Holiday. During her all too brief life she gave us more than most entertainers and "celebrities" do in a full lifetime. We are so much richer for Billie sharing her endless talents with us; and fortunately we can continue to experience her talents on CD for ages to come.

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review by: date: 2007-01-22 rating:
Beautiful
Billie Holiday is an amazing artist and I am proud to have her CD.

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review by: date: 2005-05-27 rating:
Fave Jazz Album!
Every tune is fab! Thankfully, the remastering has not diminished the old scratchy sound typically found in recordings from this era.

This is why I hate most modern jazz. This has genuine feeling, a raw sound, natural flow, and catchy licks--things lacking these days, IMO.

Pick this up if you are not a huge jazz collector, but just wish to add something worthwile to your otherwise ecclectic collection of music.


review by: I. Sondel - lover of the arts date: 2005-04-30 rating:
Early greats from Lady Day
I heard this CD while I was walking around Borders and just had to have it. These are early recordings - the music is fresh and joyous - the vocals are superb. I especially love the recordings of "Miss Brown To You," "What a Little Moonlight Can Do" (a treat), "Some Other Spring" and my very favorite, "I Can't Get Started." I have other Holiday recordings. However, this is the one I play again and again. I only wish that it had "Good Morning Heartache" on it. Oh, well.

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