

The musicianship on the album is very good. "Four Holes in the Ground" and "Celebration" are done very well, despite being played at an almost frantic speed. "Just Look Away" changes up the arrangement from the studio version, including a long intro by Franco Mussida on the most electrified acoustic guitar you're ever likely to hear, and a more powerful close. But the album's sound quality is mediocre at best, not as bad as the terrible bootleg quality of "A Celebration" and "10 Anni Live", but below average even by '70s standards (was "Waiting for Columbus" the ONLY well-recorded live album that decade?). About one-third of the album is taken up by "Alta Loma Five Till Nine", a 15-minute jam of guitar and violin solos that follows "Mr. Nine Till Five". It's played very well, but how much you like it will depend on how much you personally like long jamming solos--if that's what you like, add another star. After listening to PFM's most recent albums, I can't help but notice that all of the vocalists have improved a LOT since the 70s.
(1=poor 2=mediocre 3=pretty good 4=very good 5=phenomenal)

On the plus side for "Live In USA": sound quality is a little better. On "10 Anni Live", there is a high pitched whine at the beginning of Alta Loma. There is also a great acoustic guitar solo that isn't available on "10 Anni Live".
My favorite number by PFM has always been Alta Loma. It has a great flow to it, starting with an impressive guitar solo and ending with the screaming violin solo. This version is very tight. Other versions, such as on "10 Anni Live" have an extra violin part that actually detracts from the tight flow.
On the down side: The annoying "Four Holes in the Ground" is freatured and you have to wade through Mr. Nine to Five to get to Alta Loma. These really aren't bad songs, but they are the bombastic, neo-classical type of songs that gave progressive music a bad name. But, the other other numbers and especially Alta Loma are enough to give it 5 stars.
review by: date: 1999-09-18 rating: 
Don't miss this one
An excellent live album, from shows given in New York and Canada back in 1974. Excellent selection of tracks. "Alta Loma 5 till 9" (never released in a studio album) is a must have where Mussida's guitar is absolutely phenomenal, in a rather long (15 min, not quite long enough though...) and jazzy structure. Powerful interpretation of E' Festa/Celebration. Display of classical influence and virtuosity in "4 Holes in the ground". Classical guitar solo as intro to "Dolce Maria/Just look away". PFM is here at their best. "Older" PFM fans all remind of those years (1971-1975) as the very best... Would give 5 stars but sound could be a little better.